SOULed out!
Nothing personal...no hard feelings its just my soul...and i'm souled out! between the inner and outer world....a bridge named Me...no traffic...no story of two egoistic goats on the bridge...but rather a lonely goat is dancing and pushing it down the bridge in the abyss! enough of it..
Wednesday, April 29, 2020
Wednesday, April 6, 2016
After thoughts of travelling for a month- CHAPTER THREE: MYSTICAL LAND OF CHAANDMATI
CHAPTER
THREE: MYSTICAL LAND OF CHAANDMATI
When I reached my home in Mumbai I was
rudely welcomed by a notice from our society about plants in the window. They
say, ‘water coming down from the plants have defaced the building and are
causing safety hazards to members and residents apart from becoming an example
to others to start as a dangerous trend’. I’m not making these things up. Those
were the exact words of the secretary of our esteemed society that hosts around
700 flats in around 3600 sq mt area including the open spaces. I want to
personally go and cut water supply of that person who thought plants deface
his/her pigeonhole of a society.
Thankfully I was where there was literally
no place for more trees!
I was hung over on my journey to Kathgodam. And when I
reached ther it was really hot and I was hungry. But as any hung over person I
chose not to eat anything except chai and cigarettes. To make it worse we
missed taxis sent for us by the organisers of Sonapani film festival, where we
were going. We were in the independent traveller mode by then, and didn’t even care
to check with the organisers about means of reaching Sonapani, hang over
definitely makes you stupid. After realising that we ventured out to find out
our own way to reach our destination. Let me tell you about my humrahi at this
point. She is an old and very dear friend. She was living in McLeod ganj before
meeting me in Delhi. We know each other very well, but we hadn’t travelled on
our own before this. Well, and your humsafar affects a lot how you travel. You
should be in sync to have a pleasurable travel, we were at least I thought so.
She was feeding me with fruits, namkeen, and other trash and healthy things
alternatively, with regular intervals of pure unadulterated water. Thanks to
her, I was in a full form in an hour. Don’t think that I was happy because of
her only because she was feeding me, she is just a cool person to be with.
Well, after a wait of almost two hours we
got the ‘kaali’. Kaali is the name and colour of the bus running on the route
from Haldwani to Mauna, Lweshal. When Ashish, the organiser of Sonapani film
festival, asked me that we need to board a bus for Mauna Lweshal, I heard it as
Monalisa. But the conductor of that bus burst my bubble; I was not going to
meet Monalisa. This kaali became a super cool character in our stay at in and
around Sonapani. Only two buses run on that route daily. But by some strange coincidence
we used to found our beloved kaali many times when we used to stroll around,
and mind you when we used to stroll only 5% of the road used to be a tarmac
road. So you know how divinely connected we felt with kaali.
Anyways, the hotness of the atmosphere
slowly faded away and we were soon on the topsy-turvy roads of lower Himalayas.
The frustration of missing the taxi, the hunger, the disappointment of hot
weather; faded out as the elevation increased. Soon we reached the gate of
Satkhol ashram, our alight point. We had an almost 2.5km of walk in front of
us. Thankfully Ashish had sent us two of his employee on motorcycles to pick us
up! So bam! We reached Sonapani within minutes. I couldn’t really see around
much in the way. Because, being a rider I get very uncomfortable sitting behind
anyone. Also, the roads were really up and down, partly off road and partly CCied
(I found about this term CC after a few days, or as shishi as the man who
guided me to Sonapani when I was not sure. I was craving for a sheeshi bottle.
By the way CC means cement concreted, thankfully the only CCied thing in that
part)
This was the place where we we got down for Sonapani. The beauty was going to get even more breathtaking. |
So, Sonapani. It’s a really cool place
filled with warm people. When we reached
there the screening was first film was already started, we hung around with a
couple that were staying in that part of the hills for few days. There was also
a big and lovely bhutiya dog called Jhumroo. One of the major I want to settle
in the hills, or anywhere outside city for that matter, is because I want to
have a happy dog! Dogs can’t be truly happy in urban space, but they are too
good to let you realise that. I want a big happy dog, and that is my life goal!
Jhumroo is a bloody good dog. Sonapani estate is situated on a slope of a
valley overlooking a range of Himalayas. The valley is covered in pines, and
dark cool shadows of them. There is a plane covered with trees on one side and
a valley on the other side, and there is an old white dilapidated mysterious
house on the other side of that valley.
On a second night the jungle was threatened
by a wildfire. We crossed that house on the way to quench that fire. When the
fire was reaching nearer to Sonapani, Ashish asked for volunteers to douse the
fire. Of course I was one of the first to raise the hand. I gulped my glass of
old monk in one go, and stood ready outside. After half an hour we left with
few torches, I had sneaked out another glass by then. It was pitch dark, and
dead silent except the cracking of fire with its orange luminous hovering over
in the distance. If not for the danger of the fire, this could have been a one
of the most romantic setting. We were
running in the direction of the fire. As the lungs started prioritising our
limbs over our mouths, the walk grew silent except for the rustle of grass and
our jackets and mufflers. Yes, it was a cold night ironically. After walking
for 20 or so minutes we reached a patch of land where sparks of fire were
seducing the dry grass underneath. We finally saw what we were looking for. The
fire was gone, but the dry grass was still burning in its memory. With the
small bushes we were carrying, we attacked the fire Romeo soldiers. They gave
in to our attacks. The battle had just started. We could see a big fire ahead.
With the help of two local boys in Ashish’s team we wade towards the fire,
often bending barbed wires of private properties to make our way. Bhai, we were
going to finish the love affair of the fire and the forest, these barbed wires
can’t stop us. But it was anti-climatic
in the end. When we reached there, other van rakshaks had already got the fire
under control. But we were carrying the anti-fire bushes in our hands, and
didn’t want to go back without any brave stories of fire fighting. So, we
doused even the innocent looking sparks of fire. We won. The walk back, was a
pain. Because it was an uphill task, literally. At one point Ashish asked
everyone to stop and turn off our torches. Man, that was a place. Yellow-white
stars were illuminating in the sky, and bright orange sparks were trying to
stay alive on the ground. It was truly a aaj main oopar kinda atmosphere. Maybe
I was with the stars, and the stars we just remnants of a wildfire. This smoky
kohl filled dark smell; maybe that’s how the hydrogen filled stars smell
like. We returned back and told others
stories of how saved the world, cooked on that hot wildfire. That night scraped
off all the rust that has accumulated on my recepetors, my journey had truly
started then. The rest of experience at Sonapani polished my receptors and made
them shiny and chrome. I was feeling like Nux. Witness me!
Every moment at Sonapani was so pure,
that’s the thing I loved about that place. No one had any hidden agenda, any
qualms; everyone was warm, open and happy.
The three organisers, Ashish, Deepaji and Gurpalji, with their awesome
staff, and Ashish and Deepa’s super talented kid Aru, were just giving us masterclass
in how to live.
This was the view from Sonapani |
and this |
We watched many cool films together, by Ram
Shetty, Ramchandra CN and Niharika. Many different things to learn from these
guys, the main thing was ‘if you want to make a film, just go ahead and make
it!’ I got to see their filmmaking mind at rest as well, and also their cool
dance moves! The other guests were equally inspiring. Me people who had left
their boring urban lives and have settled in the hills, like Gagan and Renu,
Arjun and Shalu, and many others. The dream Lee and me are watching for many
years. One day, one day. I was talking with Gagan and Arjun over drinks and
some other stuff and came to know that Gagan is brother of Gurvinder Singh, one
of the best directors of India. Abhivyakti and me screamed like teenage girls!
We even watched Chauthi Koot with him in coming days. I was making plans of my
travel after Sonapani, but even after the film festival got over I just didn’t
want to leave that place. The walks through the jungle, the sunrises and
sunsets, the occasional glimpse of Himalayan range, the food, the hosts; it was
all so hard to leave. Ashish and Deepaji let me stay there, Gurpalji said that
they are having a food festival next week and if I want I can shoot it. Finally
I got a valid reason to stay back. The food festival was completely a different
ball game. I always used to think that cooking just comes naturally, like you
can cook good food or you just can’t. But there I get to see and learn small
tips that make anything you are cooking mindblowing. Of course love for cooking
was the prime reason that makes the food yummy. But that love starts with
chosing the right and good quality ingredients. Chefs were giving everyone tips
on when and how to use those ingredients, sprinkled with many interesting
anecdotes of their culinary journey. I’m a better cook now, just by watching
them in action. Ragini was from Jammu, and she cooked some amazing Jammu and
Kashmiri dishes. I thought those dishes were very complicated, there were too
many processes going on simultaneously in the kitchen. But she used to start
explaining the method with ‘it’s very simple’, every time. That gave a non-cook
like me a confidence in trying my hand. My family and friends are going to be
my guinea pigs for few months in my kitchen lab now. Ragini is also a very
soulful singer. The other chef Megh is an actor, and rode from Mumbai to attend
this festival on his Royal Enfield classic chrome 500! What a guy. His thing
was he can cook mind-blowing food from anything at all. I’m pretty sure he can
cook dust and rust, and make a delicious dish out of it. The highlight of his
cooking was pit-cooking session. He dug up a pit, filled it with coal and
cooked three raans in it for three hours. It was a rainy day, but he fought
with the rain god to make those juicy, flavoursome raans. No one got to a
second serving, not because the quantity was less, but everyone stuffed their
plates to the brim the first time they served, it was that tempting. Keith was
the third chef. He is a dancer, a teacher, and works with some organisations
here doing amazing work in education. Me being from a science background loved
his cooking methods. Kitchen was turned in to a chemistry lab. He used to weigh
everything, measure temperature of everything, time everything, and loved
everything. I was shooting the process, but I couldn’t resist myself when the
dish was ready. I used to keep my camera aside and dig in. I don’t have even a
single shot of final dish, or someone tasting it! I was busy eating by that
time. Hats off to these outstanding chefs, and even great human beings.
Two weeks ended in a flash. It was my time
to go. Two of my friends, Balaji and Vivek, from Sonapani film festival had
gone to a place called Kasar Devi. Vivek messaged from there that ‘this is the
place!’ I woke up late on the day when I was supposed to leave. I had already
said goodbyes to Ashish, Deepaji, Gurpal, Gagan, Taran (funny thing here, I met
Taran at the food festival. After two days we realised that Taran’s husband
Asad, and my wife Lee are colleagus! Such is a magic of Sonapani), and Asad.
When I stepped out the sky was dark, and drizzling. It was a sad morning. I got
a lift till Satkhol ashram gate. A shopkeeper at the junction, who had become a
well acquaintance by now, told me that there is one bus coming after an hour or
so which will take me to Mauna, from there I’ll have to find a transport to
Kwarab, from Kwarab I will get another bus to Almora, and from Almora I will
have to find some local transport to Kasar Devi. A long journey ahead, and rain
had increased. We sat at that shop, sipping cups of chai. I had met a bunch of
locals at this shop few days ago. They were the farmers, and used to produce
peaches, plums and other fruits. They told me about the dire state of
agriculture, and the reasons why people are leaving their village and hunting
for jobs in cities. But that farmer was an optimist, and very content person.
He never complained, he just stated these things. His one advice is going to
stay with me forever- Jo ho raha hai use hone do, jo ho gaya use bhul jao. And
mind you this advice didn’t have a passive or frustrated tone. He had lived
with nature and that’s the way nature works.
I was leaving this behind |
My bus came, I looked around one last time
and boarded it. As soon as I set foot in the bus, the speakers of the bus
started blasting ‘badan pe sittare lapete hue!’ nad just after a first turn
clouds evaporated away. It was sunny. The journey was going to be fun. Jo ho
raha hai use hone do!
Labels:
films,
food,
nature,
sonapani,
travel,
travelblog,
traveldiaries,
travelling,
uttarakhand
Monday, April 4, 2016
After thoughts of travelling for a month- Chapter two: REASONING SE AZAADI, (YES THIS IS AMBIGUOUS!)
CHAPTER
TWO: REASONING SE AZAADI, (YES THIS IS AMBIGUOUS!)
Delhi is a selling ground. That was my
first impression. I reached at Nizamuddin railway station early morning. As
soon as I came out of the train station, taxi and rikshaw drivers hounded me
and started selling me my journey to the destination, a room in a hotel, a good
restaurant, and even a call girl. Not a single one was going to charge me as
per the meter. I wanted to have tea first, but they didn’t even let me have my
morning cup of tea in peace. They were lurking around and waiting for me to
finish. A friend had suggested cheap hotels in Paharganj or Majnu ka tilla.
I’ve been to Majnu ka tilla couple of times, so decided to go to Paharganj this
time. New sets of judging eyes waited for me there. My friend and me needed a
room to just keep our stuff, get cleaned up and leave to meet other friends.
But my friend happened to be a girl, and people started judging her, and me and
we judged them back. It was fun. Thankfully as suggested by a Delhi friend we
checked in a backpacker hostel called Zostel. It is a casual and clean place
packed with backpackers from different parts of the world. After getting ready,
we left for Connaught place, which was walking distance from our hostel. Again
people on the road started selling. Breakfast, drinks, hotel rooms, travel
tickets. And obviously we witnessed the
infamous Delhi ogle. Travel is equally about the people as it is about the
places. I used to think that how people from a certain city get their
stereotype, why Delhites are considered as lechers, how they got stereotyped as
a bunch of sex starved males? Well, I guess it’s got to do with the definitions
of normalcy a certain society sets. Obviously every person doesn’t fit the
stereotype of a citizen of that city. But then where do they draw lines of what
is normal is about in the same zone. Because society decides normalcy, right? Anyways
we spent almost the whole day in the campus of JNU. Met a friend after more
than a year, and he showed me around JNU, the protest site, small hills,
different departments. It’s a cool place to hang out at, and a vast patch of
green on otherwise dry Delhi. It was the day when Kanhaiya Kumar got bail, and
was about to return to the campus. News crew were ready with their cameras at
the gate, hoping for the usual entry shots. We couldn’t see the cameras
recording, as he came after we left the campus. That’s okay, but I was happy
because after so many days I talked about topics from, obviously, azaadi to old
monk cocktails, and psychedelic drugs, to psychedelic writers. From 50’s films,
to 60’s film songs, and from hallucinations of Mohammad to forms of dance; as
the day slid from JNU to Hauz Khas to the party at Zostels’ terrace.
During all this my phone ran dry. I would have usually panicked, but I didn’t. That was the start of the journey. I needed my phone to search random stuff I was thinking about or to check if the taxi driver is taking me by the nearest route. But I didn’t crave connectivity. After every couple of hours I was meeting new people and was having fairly long conversations with them.
During all this my phone ran dry. I would have usually panicked, but I didn’t. That was the start of the journey. I needed my phone to search random stuff I was thinking about or to check if the taxi driver is taking me by the nearest route. But I didn’t crave connectivity. After every couple of hours I was meeting new people and was having fairly long conversations with them.
When I was travelling to Delhi by one of
the slowest train running on that route, I was caught up with my professional
commitments, trying to be relevant. I mean, it’s not like in a day I dissed the
ability or urge to be relevant. But I used to rely on internet on my phone for
keeping me busy, entertained, pampered, interested. But I was travelling, again
the question ‘why am I travelling?’ was ricocheting in my mind. Another answer
for that was to be in peace with yourself without any technological assistance.
Technology is important and necessary, and only a stupid will curse it and
abandon it completely. But I think technology brings things/ desires/ emotions
to us even before we feel the need for it’ and after that we just get addicted
to the need without even realising it in the first place. There always been the
fight between the want and the need, and need is losing that battle in urban
life. We want things. We want to stay connected, we want to click selfies, we
want to travel, and we want to write. We were sitting on a big rock in the
highest point of JNU, and my friend was reading poems in Marathi to another
friend who does not understand Marathi. But he was interested in listening to
those poems in Marathi first before we could translate them. Because when you
read or listen any kind of literary creation in the language that was
originally written, you even get to feel it’s rhythm, it’s rounded and pointy
pronunciations, and even its aroma.
These are the things I want to feel, and that’s why I needed to get out of a structured Mumbai life. This is where the definitions based on wants and needs get blurry, this is where one get to realise not just why to travel but why to live. My favourite writers, my favourite, artist, my favourite discoveries, my favourite crafts, my favourite thoughts; these are the things that puts weighs on me. That keeps me balanced and steer me away, help me define things. But when we get used to a structured, channelled out life, we cant’ be steered away, I can’t do that. I’ve seen many people doing it very effectively.
These are the things I want to feel, and that’s why I needed to get out of a structured Mumbai life. This is where the definitions based on wants and needs get blurry, this is where one get to realise not just why to travel but why to live. My favourite writers, my favourite, artist, my favourite discoveries, my favourite crafts, my favourite thoughts; these are the things that puts weighs on me. That keeps me balanced and steer me away, help me define things. But when we get used to a structured, channelled out life, we cant’ be steered away, I can’t do that. I’ve seen many people doing it very effectively.
When I reached Delhi, I felt that people were
judging me; they were lecherous towards my friend. Basically I was judging them
back, generalising them unconsciously. I consciously realise that I judge
people unconsciously. Mostly it’s seen as a negative thing to do. But as humans
we need to classify things that are going around us, to process them better and
basically move ahead with our lives. And we intuitively base our judgments on
experiences when we encounter things similar to some that have happened in the
past. But when I encounter something new I tend to enrich that experience based
on the things that have put weights on me. That have expanded my senses when I
was not actually travelling, the books the music, the pictures, the movies.
Travelling is beautiful when we can place our new experiences harmoniously with
these weights and our intuitions. Of course it doesn’t happen on the go. It is
happening to me after I have completed my travel. That doesn’t mean I was just
absorbing experiences when I was travelling. But now I can see things in
perspective more surely and clearly.
How do you remember memorable things happened to you? Is it through words, dialogues that we spoken there, or by visuals, spiked with smells and touch. How different directors treat flashbacks in their movies always fascinates me. When one character remembers something happened in the past. I find it weird when the directors show the scene just like any other scene. How can main characters whose memory we are seeing be in the frame? S/he can at most remember what they have seen. Those flashbacks must be in first person in visual sense as well, just like the first person voice over its usually accompanied with. Why am I talking about this? Because I’m writing something based on my memory, a travelogue. But with the images, and instances I’m also trying to remember what kind of thoughts were going through my mind, and the thoughts definitely cannot be seen and or recorded. When I’ve experienced even my visual/sonic/orifice memory failing and painting something completely different, then how can I trust it with remembering thoughts. So yes, I will state the instances, but all the other things may or may not be what I felt and thought and that time. This is interesting, because it means the journey is still on inside me. Journeys of thoughts of the thoughts of other journeys are also still travelling inside me. Memories and feelings are beautiful things. It can paint a same event differently in the mind of every participant of that event. It should be that way. Memory of a live concert attended by thousands of people must be different than each other. But when a need to tap a larger group of people simultaneously, one has to generalise things and seek shelter in adjectives to keep it conveniently ambiguous. That’s why I’m writing this. I started with conditioning and generalising of minds but I want to document my experience of this month as personally as possible. I want to remember things. It’s not that I will forget them if I don’t write, but by that logic I can even not experience them in the first place. These thoughts come to me between the silent places of any conversations. I’m sure it happens to everyone. There are number of minute, ethereal layers of conversations floating in everyone’s mind when we are conversing. Only if these layers have colours, textures, aromas; how beautiful every conversation can be felt and remembered.
We had an early morning train for Kathgodam
from New Delhi station. Even though the station was just five minutes away from
Zostel, we had to run with all our over packed bags to the platform. Train left
the station five minutes after we boarded it. Guess, we didn’t have to run. It
was a Shatabdi express, a chair car, and coach attendants started treating us
with food and beverage as soon as we settled. Finally I was going to the
mountains!
Saturday, April 2, 2016
After thoughts of travelling for a month- Chapter one
CHAPTER
ONE: FIGHT WITH REASONS
Why do I travel? What do I achieve by
travelling? I was living in valleys of Uttarakhand for last one month, where I
used to have to walk 16 minutes uphill to get to a café or any shop, now I get
down from my 16th floor apartment to do so. Yes I am back to Mumbai,
and then I was struck with these questions. Such questions used to strike me
when I was travelling too. I had decided to finish a big chunk of writing that
I was planning to finish for last one year. I was not really successful in
finishing much, though I am satisfied by whatever I’ve completed. When I used
to have a dull day, I used to think about these questions. Why am I travelling?
Am I achieving what I set out to achieve? I used to think a lot about these
questions, used to spend whole evenings pondering over them, sipping chai and
watching the valley changing its colours from yellow to orange to blue to dark
grey and then complete black. But then star used to start twinkling and moon
used to paint the valley again in a soft glow. I didn’t used to find answers to
my questions, but those were the answers right in front of me.
The word and concept of travelling has
suddenly become very popular in last few years. The meaningful quotes of
writers about life pasted on a beautiful landscape, the 20, and 30, and 40
things to do which will transform your life, the survival kit list, the travel
couture, hotel deals, travel blogs of 20 something sharing their experiences, new
and newer hashtags on instagram related to travelling, the follow project, the
unfollow trend, the changing definition of coolness and addition of backpacking
to the list; it all brought ‘travelling’ to the paramount of social media
discussions. There are even many blogs
and opinion pieces that say how travelling in your 20’s instead of focusing on
your career is the most stupid thing you could do. So basically there are every kind of extreme,
good looking, logical reasons floating in the cyberspace that keeps on
diverting my thoughts to travel, to wander.
These external factors titillated my inner urges and made me restless.
It’s cooler to be someone who does not belong here right? Though the ‘here’
changes with the surroundings and eventually encompasses everywhere. I went
through that transition, I swam through that tide, and realised that maybe
that’s not the case I want to wander. I was not sure why, but I knew for sure
that it is not a hipster, millennial thing. Again these generalisations of
hipster and millennial thing have resided in me through the trollers of the
almighty Internet. So yeah I shouldn’t have said that. You see where am I
going? This was exactly what I was thinking. Things, even though new and path
breaking, are packaged in attractive wrapper, marketed riding on the newest
trends, and served on a platter to the very gigantic niche audience like me. There are more moulds that people. Even
though each mould was unique than the other, the problem is very few users
actually make their own moulds. It’s satisfying and assuring to fit in your
moulds perfectly, but I was thinking a lot about the generalisations. And also
that I’ve used the word mould too many times here. It sounds weird every time I
say that word now, I’m not going to say, write that word for a while. Okay one
last time- mould.
Yeah, so I was completely clueless why I
wanted to travel again. For past few years I’ve made sure that I was travelling
at least for 30 days in a year, not at once but all together. So it was not
like I was taking a big leap or anything. I can pack my backpack under 10
minutes now.
The other thing was validation. You know
validating your every action by someone. I thought my sense of judging my own
work was getting rusty. A friend once sent me an article, which said that,
rather than excellence, mediocrity is required to survive. I read again about
mediocrity in a Murakami’s book I was reading on my train journeys. I needed a
perspective again. The earlier one was fading off. I was proud of my work, but
I knew for sure that most of the work was just a notch above the satisfaction
level of my client, and sometimes not even the client but my immediate boss,
whoever s/he might be. I thought that level should have been the level zero. I
want to realign my zero co-ordinates again. Which ideally should be independent
of generalisations and validations. But idealism can very well be a hindrance
to the flow. Whatever, I thought I should at least be sure of the position of
the zero co-ordinates.
So I finished whatever I could finish of my
work, and left the rest incomplete, rather unprofessionally under the pretence
of getting fed up. Which was not right.
I packed my backpack with warm clothes,
basic cosmetics (hair gel, moisturiser, and deodorant.), ipod (yes, packing
starts with the creating a good playlist), laptop, battery packs, camera and
lenses, and few other things that I found out was in my backpack while
unpacking. I went to shop for some essentials and to fix my wristwatch, after
my mother insisted. I came back to find out that both the lifts of building
were not working. Remember I mentioned, I live on 16th floor? I took
a deep breath and started climbing the stairs. Your counting abilities go for a
toss when you are running out of breath. 7th floor came twice, 10th
floor thrice and I was stuck at time loop while crossing the 15th.
But I climbed up to my apartment in 2min 40 sec. Not bad start. I was just
getting used to climbing up and down for my rest of the journey. I reached Bandra Terminus after saying goodbyes to my parents and my wife. My mother was trying to know when I was going to return. My father advised not to be too adventurous when alone. The train, one of the slowest on this route, was going to take me to Delhi, and I had a window seat for that journey. Train left exactly on time, 00:10 hours on 2nd March. But my mind was still thinking about the plans, and daydreaming about the adventurous time. Your regular traveller daydreams. I was still going to get used to the present. But I had time in my hand.
Wednesday, February 24, 2016
विद्रोह
काय असतो विद्रोह नक्की?
नक्की कुठे वेगळी करायची आपली जीवनशैली आणि जीवनावश्यकता?
म्हणजे व्यापार तर चांगलीच गोष्ट आहे.
पण bank balence बरोबर माणुसकी पण वाढवा की.
पैसा कमावून व्हा की मोठे, सर्वार्थानी.
सगळ्यात वाईट गोष्ट आहे की सर्व योग्य प्रश्न आणि त्यांची जायज़ उत्तरं पण माहित आहेत.
पण बदल जरी अविरत असला तरी मला बदल अविरत पुढे ढकलण्याची कला पण खूप चांगली येते.
जरा मोठं होऊया, हेच तर वय आहे. एक ओहदा मिळू द्या मग दाखवतो.
मरूनच का नाही जात मग?
सगळ्या यशापयाशांची शेवटची पायरी. का त्यानंतर पण अडकायचं मुक्तीच्या फेऱ्यात?
कशातच अर्थ नाही. जमिनीत आहे, दोन्ही अर्थांचा अर्थ.
पण त्यात पण रुजलेयेत वाद, अस्मिता, तफावती, जाती, द्वेष. जमीन पण ना सगळ्याच गोष्टींसाठी उपजाऊ बनून जाते साली.
स्थिर, गंभीर, काळी.
खूप वेळ निखरत बसलं न तिच्याकडे तर दिसतात बऱ्याच नकोश्या गोष्टी.
त्यापेक्षा जमिनींवर अंथरू काँक्रीटच्या चादरी, आणि आकाशात जाऊ राहायला. हे बरंय.
पण मग अंधार झाला की दिसणं बंद होतं आणि जाणवणं सुरु होतं.
दारू पण बंद नाही करू शकत उघडलेले receptors
मग परत चालू होतात तेच सात्विक वाद स्वतःशी
पण हे सात्विक वाद कधी होणार राग, संताप?
रात्रीच्या अंधारातून दिवसाच्या उजेडात येणार का हा राग?
का सकाळी उठून परत जीवनशैली जपण्याचा संघर्ष चालू करणार?
काय असतो विद्रोह नक्की?
जीवनाची आवश्यकता कधी जाणवणार?
मग जीवन अर्थपूर्ण बनवायला मी प्रेम, वासना, मैत्री, देशप्रेम, करुणा वगैरे बेगडी गोष्टी भरून घेतो आणि आदर्श नागरिक बनवतो स्वतःला, मजा येते.
वेळ तर निघून जाते, दिवस तर ढळून जातो. मग काय तर?
पण आता तेवढ्याशानी काही होत नाही
आता बाजू घ्यायला लागतात आणि त्यांचा समर्थन पण करायला लागतं compulsory
ते हि चालेल, पण काय आहे कि बाजू तुम्ही नाही इतर ठरवतील, समर्थन मात्र मलाच करायला लागणार.
बरं दुसऱ्यानी ठरवलेल्या बाजूंमधून आपल्याला सोयीस्कर बाजू पण स्वीकारायला हरकत नाही.
पण कसं आहे की तुमच्या identity वरून तुमची बाजू काय असणार ह्याचा पण algorithm तयार आहे, काय समजलात काय आमच्या समाजाला?
चेहरा नसला तरी काय झालं seperatist logic खूप गहिरं आणि प्राचीन आहे, जात नाही.
"पथ्थर मारो!" आज समाजातून आवाज आला. "कोणावर?" मी विचारलं. "public property पर, कैसी है यह public. सबको line में खडा करना चाहिये."
Okay. सतत, सतत स्वतःला इतरांपेक्षा वेगळं करायचं अनामिक राहून. पण आज मी बघूनच घेतली समाजाची ज़ुबान. काळी आहे, जमिनीसारखीच.
पण तरीही तीच्याशी चर्चा नाही करता आली, पण तिला हिंसा करवता येते. पथ्थर उचललेले लोकांनी, त्यांचेही कान फक्त हातांशी जोडलेले असतात, डोक्याशी नाही.
तेव्हा समजलं सगळ्यात कठीण आणि खतरनाक आहे डोकं वापरणं. प्रश्न विचारणं.
हाच असतो का विद्रोह?
नक्की कुठे वेगळी करायची आपली जीवनशैली आणि जीवनावश्यकता?
म्हणजे व्यापार तर चांगलीच गोष्ट आहे.
पण bank balence बरोबर माणुसकी पण वाढवा की.
पैसा कमावून व्हा की मोठे, सर्वार्थानी.
सगळ्यात वाईट गोष्ट आहे की सर्व योग्य प्रश्न आणि त्यांची जायज़ उत्तरं पण माहित आहेत.
पण बदल जरी अविरत असला तरी मला बदल अविरत पुढे ढकलण्याची कला पण खूप चांगली येते.
जरा मोठं होऊया, हेच तर वय आहे. एक ओहदा मिळू द्या मग दाखवतो.
मरूनच का नाही जात मग?
सगळ्या यशापयाशांची शेवटची पायरी. का त्यानंतर पण अडकायचं मुक्तीच्या फेऱ्यात?
कशातच अर्थ नाही. जमिनीत आहे, दोन्ही अर्थांचा अर्थ.
पण त्यात पण रुजलेयेत वाद, अस्मिता, तफावती, जाती, द्वेष. जमीन पण ना सगळ्याच गोष्टींसाठी उपजाऊ बनून जाते साली.
स्थिर, गंभीर, काळी.
खूप वेळ निखरत बसलं न तिच्याकडे तर दिसतात बऱ्याच नकोश्या गोष्टी.
त्यापेक्षा जमिनींवर अंथरू काँक्रीटच्या चादरी, आणि आकाशात जाऊ राहायला. हे बरंय.
पण मग अंधार झाला की दिसणं बंद होतं आणि जाणवणं सुरु होतं.
दारू पण बंद नाही करू शकत उघडलेले receptors
मग परत चालू होतात तेच सात्विक वाद स्वतःशी
पण हे सात्विक वाद कधी होणार राग, संताप?
रात्रीच्या अंधारातून दिवसाच्या उजेडात येणार का हा राग?
का सकाळी उठून परत जीवनशैली जपण्याचा संघर्ष चालू करणार?
काय असतो विद्रोह नक्की?
जीवनाची आवश्यकता कधी जाणवणार?
मग जीवन अर्थपूर्ण बनवायला मी प्रेम, वासना, मैत्री, देशप्रेम, करुणा वगैरे बेगडी गोष्टी भरून घेतो आणि आदर्श नागरिक बनवतो स्वतःला, मजा येते.
वेळ तर निघून जाते, दिवस तर ढळून जातो. मग काय तर?
पण आता तेवढ्याशानी काही होत नाही
आता बाजू घ्यायला लागतात आणि त्यांचा समर्थन पण करायला लागतं compulsory
ते हि चालेल, पण काय आहे कि बाजू तुम्ही नाही इतर ठरवतील, समर्थन मात्र मलाच करायला लागणार.
बरं दुसऱ्यानी ठरवलेल्या बाजूंमधून आपल्याला सोयीस्कर बाजू पण स्वीकारायला हरकत नाही.
पण कसं आहे की तुमच्या identity वरून तुमची बाजू काय असणार ह्याचा पण algorithm तयार आहे, काय समजलात काय आमच्या समाजाला?
चेहरा नसला तरी काय झालं seperatist logic खूप गहिरं आणि प्राचीन आहे, जात नाही.
"पथ्थर मारो!" आज समाजातून आवाज आला. "कोणावर?" मी विचारलं. "public property पर, कैसी है यह public. सबको line में खडा करना चाहिये."
Okay. सतत, सतत स्वतःला इतरांपेक्षा वेगळं करायचं अनामिक राहून. पण आज मी बघूनच घेतली समाजाची ज़ुबान. काळी आहे, जमिनीसारखीच.
पण तरीही तीच्याशी चर्चा नाही करता आली, पण तिला हिंसा करवता येते. पथ्थर उचललेले लोकांनी, त्यांचेही कान फक्त हातांशी जोडलेले असतात, डोक्याशी नाही.
तेव्हा समजलं सगळ्यात कठीण आणि खतरनाक आहे डोकं वापरणं. प्रश्न विचारणं.
हाच असतो का विद्रोह?
Tuesday, December 22, 2015
Preface
Don’t you ever fear that one day this will just be a memory and nothing else? I mean I’m not talking about destruction and evolution and wars when this all will be lost or changed forever but just that this, right this right now will be turned into a memory, a figment of some stupid chemical reaction in your brain, just a bunch of modified brain cells. What’s the point of living in a reality, if it’s so volatile? It’s better to live in dreams. Well, the dream itself is just another figment but at least it is consistent. The feeling is more homogeneous. But then again it’s not personal ever, the daydreams. We always dream with or for someone, it’s a projection of our entity, our being, my being. We want to shy away from technology when we think of personal feelings and stuff. We want them to be original, but then we base our daydreams on them, which is a projection, and yearn for them to be presentable, and then we have to incorporate technology, I have to, technology not in terms of bits and circuits, but in terms of managing data and creating a workflow. And then I realize that this is better, the unlived life, the could-have-been and should-have-been moments, the stolen moments, and the fabricated moments. I always modify my memory on the RAM before sending it to the permanent storage in my brain. But then I start to think that the whole of mankind does that because I’m a unit of mankind. Like, scientists and statisticians only test and observe a random set of individual entities to conclude. I’m the only entity that I know most about and can experiment with. Experimenting with other humans would be cruel, not that I don’t do it! But you can’t come to a solid conclusion if you experiment with others. It’d just be a hypothesis, a theory at best. So here I am, the only guinea pig of a mad scientist! The only option left, as seen in many mainstream movies and comics is to experiment on yourself, and be a Doc Ock, or a sandman, or Agent Smith,
or Nick Nolte’s character. But again that’s mainstream, money-oriented representations. Intellectuals fucking hate them! Mostly because they can’t stand that a mainstream character can come that close to what they are thinking. I might be wrong, I always am based on my statistical studies. But then what? I’m not talking about reality, it’s a dream (again because of the dearth of my vocabulary!) Dreams are alternate realities. They are self-sufficient. They don’t need your stupid laws of physics, chemistry and morality. Each one has an ongoing dream running between their senses and the brain. Trying to place the things we perceive in our dreams always tires us. It doesn’t work always. Sometimes the reality is so harsh that we/I will have to modify my dreams. Sometimes I will have to create places for the bits of reality I want to accept. For rest, well they can seek refuge in the conspiracy theories, and again be a part of some other alternate reality. Do you see where this duality between me and we is coming from? I as a human want to simplify things to perceive them better, and at the same time, I want to generalize them so to categorise them better for any future altercations, and in the way of doing so I also want to reaffirm my place as a human, or a robotic human, or whatever homo-next-sapiens species we have become. That’s the duality. I want to be unique and want to merge at the same time. That’s how advertisers tap us. Every mass-produced product is marketed in a way that would always make you feel unique and special, and it does. I would choose coca-cola over Pepsi. Because that’s the choice I have, or I can either be a green tea person, a naturalist, a glutton free, or an idiot. We will have to categorise ourselves to fit in. Individuality is a personal thing and is a hoax in the real world. I don’t even express myself to even myself, and how can I expect myself to be an individual? Even when thinking to myself I rarely communicate beyond languages. I talk to myself in Marathi, Hindi or English, and then I want to express, I want to talk, write. So, I again use a language. English typing is easy so mostly I use English, even though I know I’m not smooth in that, and that has already started fading my versatility in my native languages, which I’ve learnt to listen and talk first. The grammar has changed; the accent has adorned a weird sub or semi-regional tint. And now in the categorized world, I can’t place my individuality and thus it doesn’t exist. It starts to change the moment I start thinking of expressing myself. Maybe that’s not the case for many, but language is just one onus of expression. When I hear that a certain language has a word for something that doesn’t have a word in the languages I know, then I feel cracked. Enough of languages, it just underlines the inferiority complex. But yeah, I think everyone bears the expressions on some tools, language is just one of them. And the content starts to get mudified (I didn’t want to say muddified, because change is good, modifications open new possibilities!) So how do I end this? Just like that?
Let’s just say it’s a preface, and I’m going to keep it unedited, with all the grammar and spelling and sensical and contextual mistakes (well they wouldn’t be mistakes if historically they would have been followed this style, right? like -ise and -ize baby!) Okay.
Let’s just say it’s a preface, and I’m going to keep it
unedited, with all the grammar and spelling and sensical and contextual
mistakes (well they wouldn’t be mistakes if historically they would have been
followed this style, right? like -ise and -ize baby!) Okay.
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